Lotekno

‘Lotek’ the food is a mix of vegetables and spices that come from a lot of different places, but mostly Indonesia. ‘Lotekno’ the music project is a mix of humans and sounds that come from a lot of different places, but mostly Indonesia. ‘Lotekno’ is where acapella heavy-metal armies filter through iterative analysis into jitter-glitch overload, ecstatic sun-worship trance-lords get jacked up into spinning-rims crunk, and working-class torchsong sirens dub out into hypnotic voodoo dancehall.

Anomie’s polychordal density strikes acute angles against microtonal celendro and gendreng scale structures, pulsed with her signature multi-instrumentalist polymath compositional flair…the only logical choice for atomising industrial electronica, 21st-C compositional theory and extended sunda-metal vocal technique.

Efek Samping’s granular de-interlacing of sundanese harmonic systems and obect-oriented generative algorithms creates new impossible aleatory futures; first time, every time…a forensic meta-analysis, sonofied at a frame-rate suited to humans…almost!

Ruffles dubs echoes of bamboo suling flute and single-string tarawangsa drone through sparse hyper-spatialised ambience and tectonic sub-bass, a seismograph beneath the Mt Sunda mega-volcano.

Lotekno is a spicy melange of cutting-edge electronics and ancient technique, metal and maths.. a bamboo-silicon cocktail with a sambal-808 kick – a vision of the soundtrack to the dive-bar scene of ‘mad max: bandung badlands.’

Wominjeka (Welcome). We acknowledge the Yaluk-ut Weelam as the traditional custodians of the land on which we meet. Yaluk-ut Weelam means ‘people of the river camp’ and is connected with the coastal land at the head of Port Phillip Bay, extending from the Werribee River to Mordialloc. The Yaluk-ut Weelam are part of the Boon Wurrung, one of the five major language groups of the greater Kulin Nation. We pay our respects to the land, their ancestors and their elders—past, present and to the future.